F. DE LA TOMBELLE
This simple and clear music, without real vocal difficulty, is part of a set of "Saluts brefs", the first three of which belong to the same manuscript. Salut bref n° 1 : O Salutaris Hostia MeF 1723 Salut bref n° 2 : Ave Maria MeF...
P. LE FLEM
Lullaby for choir with 4 mixed voices simply harmonized with two stylistic formulas (homophonic verse and soprano / tenor as a round). • Paul LE FLEM thus translated the text of this traditional song into French: Dodo there, my grandson,...
DEON
In Paris, a Seine water pump was installed on the Pont-Neuf to supply the pools and gardens of the nearby Tuileries. The facade of the building was decorated with gilded bronzes representing Christ and the Samaritan woman at Jacob's well. The...
F. X CHWATAL
Franz-Xaver Chwatal, of Czech origin, wrote many melodies with lyrics which have been translated into different languages. The original text of this "partsong" is in German. The French version for 4 mixed voices is published here. It requires some...
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G. FAURE
One of the rare compositions by Gabriel Fauré where he is also the author of the text. This score can be sung either as a duet of women voices / men voices, or by two equal women voices.
H. DUMONT
Composed in 1663, the "Airs à 4, basse continu, (...), on the paraphrase of some psalms and hymns by Messire Antoine Godeau" are small motets representative of French Baroque music in the time of Louis th 14th in Paris and in Versailles. "Since...
E. JACQUET DE LA GUERRE
This charming duo of one of the few recognized women composers can be sung either in equal voices, or with a soprano and a haute-contre (contra-tenor).
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H. DU MONT (Dumont)
MeF 1767 - Henry Dumont: Panis angelicus, motet for 4 mixed voices and basso continuo. The motets for 2,3 or 4 voices were published when Henry Dumont was still the organist of the Saint-Paul church in Paris. They are representative of a new...
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Present 05
In an elegant presentation folder : - Claude Debussy : Two songs MeF 859 - Natalia Raykher / Georges Bizet : Bizetissimo ! : MEF 939 - Fernand de la Tombelle : Stabat Mater MEF 1722 - Two mabookmarks - One pencil eraser Gift 01 : For drinking...
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B. STROZZI
MeF 355 - Barbara Strozzi : Quel misero usignolo, madrigal for 4 mixed voices and Basso Continuo. Barbara Strozzi (Venice, 1619 - Padua, 1664), Italian soprano and composer, was the adopted (and natural) daughter of the poet and librettist Giulio...
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M-A CHARPENTIER
MeF 1780 - Marc-Antoine Charpentier : motet to the Virgin Mary for mixed voices
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TRADITIONAL
MeF 138 / traditional folk song from Flanders, for 4 mixed voices Young lady, do not grieve, the feast of St. Anne's is coming up. It must arrive soon, then it will pass. Let's dance, let's jump, let's enjoy ourselves and be content. Such a life,...
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TRADITIONNEL
Twelve songs arranged for 2 voices with piano accompaniment. They song some episodes of French History or illustrate a character as well as imaginary or real heroes. Without any particular difficulties, these childhood songs are intended for...
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C. DE GRANDVAL
MeF 1779 - Clémence de Grandval : Fac ut portem Christi mortem, for 4 mixed voices a cappella
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V. ALEOTTI
MeF 635PDF - Vittoria Aleotti : Madrigal for 4 mixed voices "O dolce anima mia" Vittoria Aleotti (circa 1573-1646) Composer, harpsichordist and Augustinian nun from the Convent of San Vito in Ferrara . She was one of the five daughters of Giovan...
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M. CASULANA
MeF 634 - Madalena Casulana : Madrigal for 4 voices : O notte, o cielo, o mare (O night, o heaven, o sea)
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H. DUMONT
MeF 1777 -Henry Dumont : Heureux qui n'ouvre point son cœur... (psalm 1) Blessed is the one who does not open his heart to... More about Henry Du Mont
F. de la Tombelle
This Stabat Mater Dolorosa composed between 1911-1912 and lasting 12 to 15 minutes, alternates the stanzas sung by the choir and those sung in psalmody. Fernand de la Tombelle, very sensitive to access to music for all, wrote a simple, fluid...
F. de la TOMBELLE
How not to fall in love with this hymn composed by Fernand de la Tombelle! This composer is to be rediscovered! His music is elegant, subtle and delicate. The AVE VERUM met with great success at the beginning of the 20th century and remains...
J-B LULLY
A Pastoral is a musical genre that idyllically illustrates nature, shepherds and shepherdesses. The one entitled "Les Festes de l'Amour et de Bachus", in a prologue and three acts, was performed in 1672. It is made up of extracts from different...
B. LALLEMENT
A satirical song (prohibited in its time) mocking the french king Louis the 14th and his many extra marital adventures. We quote in the song both the maids and gardeners as the noble ladies (Mme de Montespan, Mme de Soubise) and, of course, the...
H. DUMONT
Composed in 1663, the "Airs à 4, basse continu, (...), on the paraphrase of some psalms and hymns by Messire Antoine Godeau" are small motets representative of French Baroque music in the time of Louis th 14th in Paris and in Versailles. "Since...
LULLY
A Pastoral is a musical genre that idyllically illustrates nature, shepherds and shepherdesses. The one entitled "Les Festes de l'Amour et Bachus", in a prologue and three acts, was performed in 1672. It is made up of extracts from different...
C. VERCHER
Poem by Paul Verlaine from Les Fêtes Galantes (1869): Calm in the half day What tall branches do. Let’s penetrate our love From this deep silence.
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D. COSAERT
A variation between jazz and contemporary music, on the first lines of the finale of Beethoven's 9th symphony. Hymnus refers to the European Anthem but only keeps a short extract (Freude schöner Götterfunken ...) and uses the onomatopoeias of...
G. VERDI
The very famous Slaves Chorusr from Verdi Nabucco's opera. Piano accompaniment available under the reference MeF 901P
C. de SERMISY
MeF 505PDF - Claudin de Semisy : Ceux de Picardie - easy and lively Renaissance song. This earthy and joyful drinking song is very simple and easy to remember. Halfway between Renaissance and Middle Ages music, it celebrates the ability of Piacrds...
