New products
In an elegant presentation folder : - Claude Debussy : Two songs MeF 859 - Natalia Raykher / Georges Bizet : Bizetissimo ! : MEF 939 - Fernand de la Tombelle : Stabat Mater MEF 1722 - Two mabookmarks - One pencil eraser Gift 01 : For drinking...
MeF 355 - Barbara Strozzi : Quel misero usignolo, madrigal for 4 mixed voices and Basso Continuo. Barbara Strozzi (Venice, 1619 - Padua, 1664), Italian soprano and composer, was the adopted (and natural) daughter of the poet and librettist Giulio...
MeF 1780 - Marc-Antoine Charpentier : motet to the Virgin Mary for mixed voices
MeF 138 / traditional folk song from Flanders, for 4 mixed voices Young lady, do not grieve, the feast of St. Anne's is coming up. It must arrive soon, then it will pass. Let's dance, let's jump, let's enjoy ourselves and be content. Such a life,...
Twelve songs arranged for 2 voices with piano accompaniment. They song some episodes of French History or illustrate a character as well as imaginary or real heroes. Without any particular difficulties, these childhood songs are intended for...
MeF 1779 - Clémence de Grandval : Fac ut portem Christi mortem, for 4 mixed voices a cappella
MeF 635PDF - Vittoria Aleotti : Madrigal for 4 mixed voices "O dolce anima mia" Vittoria Aleotti (circa 1573-1646) Composer, harpsichordist and Augustinian nun from the Convent of San Vito in Ferrara . She was one of the five daughters of Giovan...
Active filters
This simple and clear music, without real vocal difficulty, is part of a set of "Saluts brefs", the first three of which belong to the same manuscript. Salut bref #1 : O Salutaris Hostia MeF 1723 Salut bref #2 : Ave Maria MeF 1724...
Extract from the Feast of Shrove Tuesday: a funny dialogue between animals (cat, dog, owl ...), where everyone is an animal and no more a singer...
Hail, holy Queen, Mother of Mercy,Hail our life, our sweetness and our hope.To thee do we cry,Poor banished children of Eve;To thee do we send up our sighs,Mourning and weeping in this valley of tears.Turn then, most gracious advocate,Thine eyes...
In this Ave Verum Corpus, composed in the first half of the 1880s, Eugène Gigout alternates homophonic and polyphonic parts. The long development of Ô Jesu dulcis particularly highlights the melodic line of the tenors. The organ, with the...
