Choir musics for Christmas time.
Sacred, popular, carols...
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In an elegant presentation folder : - Claude Debussy : Two songs MeF 859 - Natalia Raykher / Georges Bizet : Bizetissimo ! : MEF 939 - Fernand de la Tombelle : Stabat Mater MEF 1722 - Two mabookmarks - One pencil eraser Gift 01 : For drinking...
MeF 355 - Barbara Strozzi : Quel misero usignolo, madrigal for 4 mixed voices and Basso Continuo. Barbara Strozzi (Venice, 1619 - Padua, 1664), Italian soprano and composer, was the adopted (and natural) daughter of the poet and librettist Giulio...
MeF 1780 - Marc-Antoine Charpentier : motet to the Virgin Mary for mixed voices
MeF 138 / traditional folk song from Flanders, for 4 mixed voices Young lady, do not grieve, the feast of St. Anne's is coming up. It must arrive soon, then it will pass. Let's dance, let's jump, let's enjoy ourselves and be content. Such a life,...
Twelve songs arranged for 2 voices with piano accompaniment. They song some episodes of French History or illustrate a character as well as imaginary or real heroes. Without any particular difficulties, these childhood songs are intended for...
MeF 1779 - Clémence de Grandval : Fac ut portem Christi mortem, for 4 mixed voices a cappella
MeF 635PDF - Vittoria Aleotti : Madrigal for 4 mixed voices "O dolce anima mia" Vittoria Aleotti (circa 1573-1646) Composer, harpsichordist and Augustinian nun from the Convent of San Vito in Ferrara . She was one of the five daughters of Giovan...
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Hodie, Chritus natus est: a superb Christmas motet in double choir, in the music tradition for the Basilica San Marco in Venice, extract from the Reliquiorum sacrarum
A subtle contemporary harmonization of this international Hit of Christmas carols. Some punctual divisi among the voices.
"Ein Kind geborn zu Bethleem" is taken from cantata BWV 65 "Sie werden aus Saba alle kommen" is sung at the Feast of the Epiphany.
This famous English Carol is traditionally sung in the United Kingdom and the USA. The version published here is from a collection of the Library of Congress in Washington. The French adaptation has retained the almost naive and descriptive...
Two easy and lively songs harmonized by François-Alexandre GEVAERT. They fit perfectly for a Christmas concert, without requiring a significant choral investment.
Fourth and last of the traditional Carols harmonized by GEVAERT. It is written on the song system with verse and chorus. Certainly one of the most developed (with "the angels in our campaigns") in terms of dialogue between voices.
Certainly THE most famous harmonization of this traditional Carol. An excellent dialogue between sopranos and tenors
Second of the traditional Carols harmonized by F-A GEVAERT. The melody is treated in the manner of a Renaissance polyphony.
