Choir musics for Christmas time.
Sacred, popular, carols...
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MeF 1119 : Oyez, honorables bourgeois (God rest you merry, gentlemen). Traditional english carol arranged by Bernard Lallement. English and french texts. More about Bernard Lallement
MeF 356 - Jean-Baptiste Lully : Air des trembleurs (for 3 mixed voices). Everybody knows Henry Purcell's "Air du Froid", taken from King Arthur, composed in 1691. Lully had used this principle of vocal staccato as early as 1677 to evoke the...
MeF 1781 : César Franck - Ave Maria ( sop, ten (alt), bass) for 3 mixed voices and organ More about César Franck
MeF 1118 : Noël du Languedoc for 3 mixed voices a cappella. A simple and easy joyful traditional carol from the south of France
MeF 355 - Barbara Strozzi : Quel misero usignolo, madrigal for 4 mixed voices and Basso Continuo. Barbara Strozzi (Venice, 1619 - Padua, 1664), Italian soprano and composer, was the adopted (and natural) daughter of the poet and librettist Giulio...
MeF 1780 - Marc-Antoine Charpentier : motet to the Virgin Mary for mixed voices
MeF 138 / traditional folk song from Flanders, for 4 mixed voices Young lady, do not grieve, the feast of St. Anne's is coming up. It must arrive soon, then it will pass. Let's dance, let's jump, let's enjoy ourselves and be content. Such a life,...
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Hodie, Chritus natus est: a superb Christmas motet in double choir, in the music tradition for the Basilica San Marco in Venice, extract from the Reliquiorum sacrarum
A subtle contemporary harmonization of this international Hit of Christmas carols. Some punctual divisi among the voices.
"Ein Kind geborn zu Bethleem" is taken from cantata BWV 65 "Sie werden aus Saba alle kommen" is sung at the Feast of the Epiphany.
This famous English Carol is traditionally sung in the United Kingdom and the USA. The version published here is from a collection of the Library of Congress in Washington. The French adaptation has retained the almost naive and descriptive...
Two easy and lively songs harmonized by François-Alexandre GEVAERT. They fit perfectly for a Christmas concert, without requiring a significant choral investment.
Fourth and last of the traditional Carols harmonized by GEVAERT. It is written on the song system with verse and chorus. Certainly one of the most developed (with "the angels in our campaigns") in terms of dialogue between voices.
Certainly THE most famous harmonization of this traditional Carol. An excellent dialogue between sopranos and tenors
Second of the traditional Carols harmonized by F-A GEVAERT. The melody is treated in the manner of a Renaissance polyphony.
