Fable by Alfred Jarry (1873-1907) in which a tin can falls in love with a lobster, finding in its way many similarities ... On a surrealistic poem, here is music that is connected to the text humorous athmosphere.
A composition in which voices interact with each other on a text by a Catalan poet who died too early from tuberculosis (he was just thirty years old).
Joan Salvat Papasseit collaborated in the anarchist press and is considered as an...
This traditional song is to be rediscovered. It is treated here for three equal voices according to two distinct harmonic and melodic formulas. His writing is suitable for both male and female voices.
This song belongs to the CD "PAYSAGES BELGES"
A traditional carol with a joyful and simple music. Written for three mixed voices (Sop, Alt, Men), the different verses are treated with 3 different easy structures to allow a varied and lively dialogue.
A 4-voice round, which served for the 2018 Festi'choeur days, in memory of the end of the First World War.• Intended to be sung by a large number of participants (flashmob), it is simple to learn.
Step by step, breaks all boundaries ......
Traditional sea shanty from Morbihan arranged for men voices.
Different text variants exist (We were two, we were three; We were three sailors from Groix ...) which do not change the theme and the narration.
Without particular difficulty in...
A version of "De soy mesme" for 4 mixed voices is available: MeF 216
This score can be added to the score by the same composer on another poem by Clément Marot "du mal content d'amours": MeF219
This same poem by Clément Marot was also set...
This work can be added to the score of the same composer on another poem by Clément Marot "De soy mesme": MeF 216
4 mixed voices MeF 217
This song has been recorded in the CD "PAYSAGES BELGES"
More about Claude Vercher
MeF 135 - Scarborough faire : A traditional English ballad.
This song became world famous and immortalized by Simon and Garfunkel.
In this arrangement, the altis sing the melody, the other voices singing a response or counterpoint to the melody.